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Rogue Spidor's Thoughts
Friday, 14 August 2009
Extortion
Now Playing: "That's Not My Name" by The Ting Tings
Topic: Music and Video

"Album only."

That's what I see sometimes when I go to iTunes in order to purchase the latest song I have heard on the radio that I like. It's got a nice beat, I can tap to it, sing along, and it gives me a moment of catharsis. I decide I want to hear it all the time, or at least any time I want, and so I boot up, start up, double-click, click the store link, type the song name and artist into the search input bar, and scroll down the list until I see what I want.

Sometimes, I see "album only."

That pisses me off.

Look. If your album is so crappy that you only have one song on it that's worth buying, then don't have an album; release a single and polish your act. Don't try to make me buy a bunch of crappy songs by only releasing the one good song if the consumer buys the whole album.

Because you know what? When the one song to which I'm going to listen costs ten to fifteen dollars instead of only one dollar, and also takes ten times longer to download, it's no longer worth buying at all. I'll wait until it comes on the radio and record it; that's still legal.

And for that matter, when I decide not to pirate a song and actually pay for it, doing the right thing, I'm rewarded with this kind of crap? I can probably pirate the song for free! But rather than appreciate the honesty and integrity, the people selling the albums punish me by forcing me to buy drek I don't even want just to get the single song that I do want.
This is, as we said back in high school, bullshit.

iTunes isn't the only fish in the web, though.* Amazon.com sells .mp3 format songs for the same price that I can transfer over to my cell phone without converting them to audio CD format from .aac and then from audio to .mp3. They download ready for cell phone use, and they still go into iTunes anyway. So the last time I saw iTunes give their customers the digital bird that way, I went to Amazon and looked the song up there, and sure enough, they had it for the very same price as iTunes!

That price being "album only."

Bastards. All of them.


*Just go with it.

Posted by roguespidor at 10:09 PM EDT
Permalink
Monday, 26 June 2006
Interview
Topic: Music and Video
Weird Al interviews Eminem

Posted by roguespidor at 7:56 AM EDT
Permalink
Thursday, 17 November 2005
Apology
Topic: Music and Video
They're sorry.

The code they installed, without you knowing it, opens a back door to your computer to hackers, and they're sorry?

Removing it manually may violate your computer manufacturer's warranty, and they're sorry?

Private information about you, your listening habits, and your purchased CD's has to be given to them before you can download the uninstaller, and it's already a potentially compromised system or you wouldn't need the uninstaller, and they "deeply regret any inconvenience?"

They violated the trust of legitimate music listeners and consumers all over the world in an effort to stymie the few of them that obtained the music by copying it, and now they're "committed to making this situation right?"

Someone get a calculator and find out how much the music and video industry has thrown away on legal fees, research, third-party virus-like software that compromises legitimate systems, and out-of-court settlements. Then figure out how much they'd have lost if they'd just left well enough alone, and used conventional means to protect their artists and legitimate customers. I bet figure B is smaller.

They forgot that there's 3 groups of people that need protected. They remembered the first 2: themselves and their recording artists. They forgot the honest consumer; the people that need to have faith in them, the manufacturer. The more people they piss off, the smaller the number of their faithful clientele will be. And that means more people getting the music illegitimately, and fewer paying customers. Which means they'll have to charge more for the music, in order to offset their loss of legitimate business, plus all their other expenses, and still have enough to pay the artists.

But they can only jack up their already outrageous prices so far before people just start dubbing music off the radio again, and being satisfied with that. It's not the best sound, but it's a lot cheaper than spending as much as 25 USD on a single music CD.

I know they have to protect themselves from the pirates. But the little guy that copies a CD for a friend or three isn't the same as the criminal that burns 100,000 copies of the CD and markets it as an original from the manufacturer. That's the guy they want to catch. That's the guy they want to punish. But that's the guy that scoffs at their feeble attempts to stop him, and we're the guys that get punished.

Screw them. I'm buying my music on line through iTunes or similar from now on. The quality is the same, I pay a dollar a song for only the songs I want, I can play it on my computer or MP3 player, I can burn my own mixes to a CD and use them on any CD player I want, and I don't even need to leave the house. Yeah, I still have to give them personal data. But so far as I know, it's still more secure than having a trojan horse hide itself on my hard drive and send personal data to some hacker. Is it still giving them my business? Undoubtedly. But they're not getting it directly, they're not getting as much of it, and they're sure as Hell not getting their virus on my hard drive.

But wait a minute. Have you actually checked their infected titles? They infected CD's that nobody would buy anyway! Bette Midler? Burt Bacharach? Cyndi Lauper... well, okay, maybe... And maybe the late Shel Silverstein. But even that pair of artists aren't exactly drawing crowds to the record stores. Chances aren't very good that you've got this "protection" on your hard drive anyway, unless you popped one of those CD's into it. And that's unlikely, based on the list of titles.

Mind bending time... ask yourself... does the virus copy itself onto the CD you make when you copy the original? If not, then the protection's broken anyway; just copy it one time on one computer, and then copy it ad infinitum on another. If so, then what's the point? Each one is still it's own entity, and you'll be able to copy it, and then copy the copy, and so on. The security is an illusion from square one, and it only makes your computer less secure, while having no effect on their CD security.

Hey... thought... odds are, all their computers have the same software, now that they've been putting it on their CD's. That means their networks are infected. And that means...

Heh. Heheh... Either they've removed the software, and proven how dangerous it really is, or they haven't, and they're still at risk.

I don't think I need to say any more than that.

Posted by roguespidor at 8:57 AM EST
Permalink
Wednesday, 26 October 2005
Play
Topic: Music and Video
I'm a percussionist.

No, that's too fancy, and implies that I can play a lot of different musical instruments which I can't really play. I'm a drummer. I haven't played properly in a long time, and I'm rusty, and out of practice, and can't even remember what a flamadiddle* is, but I'm pretty sure I can still do one if it comes along in the song.

I live in an apartment, and there's no room for a drum kit. I doubt there's even space enough in here for a decent 5-piece footprint. And if there were, the neighbors would complain, partly because it would be loud, and partly because I'm nocturnal, and they're not. So I don't get to play.

But everyone has a need for musical outlets. I've been tapping the steering wheel and singing in the car for mine. Other people are lucky enough to have a guitar and the talent to play it, or maybe they just hum a whole lot. Or they have talent with a keyboard** or maybe bass guitar. All these things can be played in an apartment. They can be played quietly and their neighbors won't be really upset. I envy them.

Occasionally, when the weather is right, we hear one of the houses near ours, as its denizens play various instruments. It seems they hold band rehearsals there. The bass player seems to live there, so once in a while he practices without them. That just sounds odd. If you've ever heard the bass line of a song without hearing the rest of it, you know what I mean. It's not annoying... if you go inside, you can't hear it unless you're trying to, and anyway they don't play late at night. That means during the day, when they play, I'm asleep, usually. I consider them lucky.

But I have musical needs too. So I did something about it.

I bought a harmonica.

It came with a book on how to play, so I'm thinking I'll maybe practice mornings when I'm the only one home, and learn how to play the thing. Just for fun. I just want to be able to play some of the harmonica parts from songs like "Last Dance With Mary Jane," by Tom Petty and the Heartbreakers. Hells, even The Beatles used harmonica in some of their songs.*** I have to consider it a valid part of contemporary music, with its own place in The Halls of Rock.

Comedian Stephen Wright once stated that he played harmonica by putting the harmonica in his left hand, driving down the freeway at 70 miles an hour, and sticking the harmonica out the window. I don't think I'll do that.**** But it'll be nice to have a musical outlet again. Besides, nobody ever looked up at the group as they sat around the camp fire in the middle of the desert and said "Hey, Jed! Pull that piano out'n yer pocket, an' give us a tune!"

And having the harmonica in my pocket, should such a situation arise, would be a responsibility... an honus,***** if you will, falling squarely upon my shoulders. And when I hear the call, I shall not be found wanting. I shall proudly and triumphantly reach into the inside pocket of my duster, draw forth the harmonica in its sacred protective bag, remove it, place it to my lips, and begin to play.

And that's how we'll keep the coyotes away.

*This is a real word that I did not make up or invent in any way. I swear. See?
**The kind that makes music and doesn't have "QWERTY" printed along the row.
***Not in "Helter Skelter," mind you, but some of them.
****Well... maybe once.
*****Not Hohner, although it might be.


Posted by roguespidor at 5:31 AM EDT
Permalink
Saturday, 17 September 2005
Crazy
Topic: Music and Video
This is not Aerosmith.

Posted by roguespidor at 6:10 PM EDT
Permalink
Friday, 17 June 2005
Avast
Topic: Music and Video
Sony apparently is concerned with "schoolyard piracy." No, it's not keelhauling a playground. Schoolyard piracy seems to be the act of copying a CD and giving it to your friends... all 6,427 of them.

According to this article, they've pretty much come to grips with the fact they're not going to keep music off of peer-to-peer networks. As fast as they create roadblocks, the hackers find ways around them.
But they have decided that they'll limit the number of copies that can be made. Essentially, once you've bought a CD, you can make 3 copies. So you'd be able to play the music without the original CD on your computer, a backup of the CD, and maybe give a copy to a friend. Oh, and the original CD will still work anywhere too.

On the one hand, this is one way that music piracy is making the cost of CD's higher; by making the companies pour money into researching futile ways to limit the piracy.

On the other hand, I'd kind of like the ability to copy the CD as many times as I want. If I wipe my hard drive, I may be out of recordings fairly quickly, and end up able to use only the original CD.

The laughable part is that it's a digital format, and a cassette is analog. Once the ones and zeros are converted to an analog signal and piped through your cassette recorder, the copy protection won't stop you recording to the casette. Then you can use the cassette to convert it back to a CD, and all it'll get is the audio, without the copy protection. You'll lose a little bit of sound quality, but you'll have not only bypassed, but completely eliminated the copy protection. It's a little time-consuming, but once you're done, you never have to do it again, and you can copy the new files as often as you like. Or you can just plug a patch cord into the headphone jack or "line out" of your CD player, and into your computer's "line in" jack on your sound card, and record it that way, directly, with almost no loss of quality.

But you don't even need to do that! Apple has decided not to participate in the endeavor, and so the iPod, one of the most popular MP3 players, is incompatible with the system. To get around this, there's a web site you can visit once you've bought one of these protected CD's. You simply complain that you can't transfer music to your iPod, and they'll email you a back door, allowing you to bypass the copy protection completely.

In short, the copy protection is worthless, but anyone that legitimately buys music pays extra for that worthless copy protection that they don't want and will keep them from using the music the way they really want to use it, and the music pirates will still get free music anyway. As usual, it hurts the legitimate purchaser far more than it hurts the pirate.

When I was in high school and didn't have much money, I would occasionally go in two ways on an album with a friend. We'd buy a cassette of the album, copy it, and take turns with who kept the original. I guess that was schoolyard piracy. But it was never a problem until now, for some reason.

I can understand that, though. Schoolyard piracy can't be traced by Big Brother monitoring your downloads. It's still piracy, but it's not something that the RIAA can watch, so they're probably pretty pissed off about it now.

The article says the format's purpose is mainly to make people think a little more when they dub their CDs to another system. All it makes me think is that I already spend way too much money on a CD; limiting the number of recordings I can get from it will only encourage me to download it from somewhere else, rather than waste one of my precious 3 legitimate dubs.

It seems to me that people just can't buy music any more. Nowadays, with all the fuss about file sharing and copy protection, it seems more and more like we're just renting it.

Posted by roguespidor at 9:53 AM EDT
Updated: Friday, 17 June 2005 10:43 AM EDT
Permalink
Wednesday, 8 December 2004
The Name Of The Secret Track
Topic: Music and Video
The name of the track on the Blue Man Group "The Complex" to which I referred two posts ago is "Mandelbrot #4." I learned this by using the Radio function of Musicmatch Jukebox and searching for Blue Man Group. I just sifted through the search results until I saw "Exhibit 13 (Album Version plus hidden track Mandelbrot#4)."

I like Musicmatch.

Posted by roguespidor at 11:54 PM EST
Permalink
Tuesday, 7 December 2004
I call it "Kill Count"
Topic: Music and Video
I have an idea for a music video.

The music is from Blue Man Group. It's a secret track. I don't even know what it's called. It's not even listed on the album on which it is featured. See... it's a secret. I put the CD (it's an enhanced CD, for your computer as well as for your CD player) into the computer drive, hoping there'd be something there to help name it. No joy. There's lots of other good stuff on there too. Buy this CD. You'll be glad you did. It's called "The Complex," and the song of which I'm thinking is the very last song on the album. After you hear "Exhibit 13," let the player go on. The clue is that this track is 11:21 long, and at about 4:35, you'll hear the sounds of the tubulum. It turns into a very cool Spaghetti Western sounding song that needs to be heard. It's one of the best pieces on the album, and hiding it was criminal, and would result in dire consequences in order to repay their debt to society, if there weren't so many other good things on the album that redeem themselves of this crime. Their debt is repaid by the same vehicle through which it is incurred. That's practically Zen.

Despite the western sound it has, for some reason I'm thinking of an anime video sort of thing, taking place in outer space.

Opening scene: closeup of the hull of a one-man heavy fighter, showing the kill count of the pilot. It should be a very, very impressive number of kills. Camera pans over the hull, still up close, but slowly panning back to show more and more of the ship, hull markings and military insignia. Possibly the pilot's name. Next, we see a closeup of the engine cowling... the guns, still panning to the front of the craft, around the other side as we see more of the ship, until finally we see the rear, and the engines kick into actinic blue life, hurling the ship forward into space.

Scene: outside of ship as it flies along. Impressive maneuvers through a planetary ring, the ice and rock creating quite an amazing, beautiful, and dangerous obstacle course. After a bit of this, the craft reaches the "upper" surface of the ring, where the dust is thick, and the ship leaves a rooster tail of backwashed and ignited dust behind it.

As it passes one of the larger rocks in the ring, suddenly a small beacon begins to blink a red light. Signals are sent, indicated visually by expanding concentric circles (that old standby for animation of transmitted radio waves) to other nearby sensors, which also come to life and perform similarly. Camera switches to show the first beacon, then it and another nearby as it comes to life. Then several at once. Finally, a very large transceiver gets the signal, and emits a signal. It is received by a large station. Switch to a monitor image, where the original craft is displayed as it moves away from the dust. A red light is blinking in one corner of the monitor. A long, slender alien hand extended from off camera depresses a switch (on which we see alien writing) on the console, which also blinks red once this is done.

Switch to another screen, on which we see the same alien writing, also blinking red. A collection of gangly, wiry aliens stops what they are all doing and looks at the screen. They scramble. We see them run into a hangar, and climb into their own heavy fighters, whose shapes match the kill count silhouettes on the hull of the lone pilot's craft. As one of them climbs into his fighter, we close up to him, and see his kill count is even more impressive than the opening image. These silhouettes match the shape of our hero's craft.

They launch. We see an internal radar screen of one of the alien craft, showing the planet and Our Hero's location. Switch to a similar radar screen on Our Hero's craft, on which he sees the pursuing craft, Delta Formation.

The pursuers catch up easily, and burst up from the planetary ring's dust and ice. They launch a barrage of missiles, which the lone pilot evades extremely narrowly, and by clever flying and use of countermeasures. He fires back from rearward missiles as his own craft's engines roar and launch him at roughly eight billion times the speed of light, or so it should appear. The alien craft dodge easily. It looks bad.

He fires two more rearward missiles, at each of the lead's wingmen. Both missiles are a bit to the outside of the formation, and each pilot dodges... inward. They are flying too closely, and hit each other. Each ship is damaged and drops from formation, exploding inside the planetary ring. We see this from a perspective showing that in the background, and the Lone Pilot's kill count on his hull in the foreground. As the alien fighters are destroyed, the kill count increases by two, the images momentarily flaring up on the hull in bright orange light, and settling into the skin of the hull. Meanwhile, the launched missiles continue toward the ships trailing the wingmen. The other ships dodge, and take positions as new wingmen.

The fighter, now moving at near light speed, has turned toward the planet's star, hoping the aliens lose him in the glare. We see glare screens lower over the lone pilot's canopy. Unfortunately, we see the pursuer's canopies go opaque. The pursuit continues.

Still diving toward the sun and dodging energy beams and missiles, the lone pilot lifts a plastic cover from a very dangerous looking button. Using his rearward camera screen, he waits until what he deems to be the right moment, and hits the switch. This is a very desperate move. The switch is labeled "Quantum Singularity Release."

From the back of the craft, a sphere with a mirrored surface is released. Moments later, with the releasing ship safely away, the surface fades and we see a globe of black void. The lead ship's instrument panel goes red, and the lead pilot dodges, the sphere narrowly missing his amazing kill count. The wingmen react, but the starboard man is only watching his lead, and not his environment. In an impressive utter lack of anything, he is sucked into the sphere as an elongated starship, and disappears. The kill count increases by one more.

The pilot is not happy... the black hole was his last-ditch hope. Now, it's all him. He points toward the horizon of the star, as his ship gets hotter. Missiles launched by the pursuing ships detonate from the heat now, and are useless. All three ships are glowing orange. The pursuers are gaining.

Suddenly, the Lone Pilot dips close to the star, and hits a switch labeled "Ion Booster." He holds the toggle for a moment, then releases it as he pulls back away from the sun. The lead pursuer's eyes go wide, and he tilts away to one side. The wingman is a bit slower, and a solar flare suddenly leaps up in a wave of pure plasma, disintegrating his craft instantly. The kill count goes up by one yet again.

The dodge has cost the pursuer a lot of distance. He begins searching for his target, and finds it just as a red light on his control panel blinks a warning. Cut to panel of the Lone Pilot, who has a similar light, with the words "Target Locked" on it. He is returning fire, pointed directly at the alien. A pod drops from the ventral side of the ship, which releases a cluster of a dozen or so missiles. They leap at the alien ship, which dodges and deploys countermeasures. The missiles detonate harmlessly in the chaff.

An impressive dogfight scene ensues, in which we see Immelmans, loops, and dives. Energy bolts glance off of either ship's hull multiple times. Finally, after the Lone Pilot goes into a flat spin, he shuts down the thrusters and stabilizes. The pursuing Ace is a long way ahead of him now, and turns toward him. The alien stops, and each pilot finally has an opportunity to consider each other from a distance.

Split screen closeup, showing on either side each craft's kill count, which now equal each other. Long shot, showing both ships. Each ship's engines flare, and the craft hurtle toward each other in a game of cosmic "chicken."

Missiles are launched, energy beams fired. At the midpoint between the two ships, the missiles find each other, and detonate. Enormous explosion. Both ships fly into it, impact seemingly unavoidable. There's a huge detonation from within the first fireball. For a moment, nothing more is seen.

Then, the lone pilot's ship appears from the other side, blackened and scorched from the heat. A closeup shows extensive damage, sparks leaping from his console. Damage indicators on a ship's diagram are blinking. The camera pans down to an indicator blinking the words "Systems Stabilizing" in orange, which changes a moment later to green words stating "Systems Stable." The view pans upward to the pilot's face, eyes closed, unmoving. Suddenly, he takes a deep breath, and exhales a sigh of relief. The camera pans outward, back down to the kill count, and we see one more silhouette flare into being. Camera holds on that image, fade to black.

I think that would look totally cool. I'd watch it.

Posted by roguespidor at 1:49 PM EST
Updated: Tuesday, 7 December 2004 1:56 PM EST
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